当前位置首页雅思考试雅思写作

雅思范文：传统音乐与国际音乐的发展

3G雅思网来源：博普雅思 编辑：admin 时间：2006年8月9日

本篇作文为博普雅思写作主讲马良（Mars）老师的原创作文，任何组织与个人在未经博普雅思或作者本人授权的条件下不得使用本文章从事任何商业活动与赢利活动，若需转载请表明出处与作者信息，博普雅思、作者本人保留追述权。 Due to the advancement of era, international music is universally recognized and accepted. It not only bridges cultures but also stimulates geographic communication. Therefore, accumulative numbers of people propose that we should promote international music at full steam. Nevertheless, others argue that traditional music deserves more attention because it embodies racial civilization. In fact, from all the aspects, traditional music is part of international music, and, in the meantime, international music is based on traditional one. Both of them ought to be promoted. To define the terms of international music and traditional one comes first. International music falls to multitudes of factors, instancing classic music, pop music, R&B, and global traditional music. Simultaneously, traditional music is categorized into local and international. Therefore, we can see that the word of international represents a platform, and traditional is content. They are inseparable. Hence, while promoting international music, we must attach great importance to traditional one, and vice versa. Another reason of progressing both international and traditional music is that they are mutually supportive. The significance of this practice has been evidenced by a Chinese work, Jasmine. This piece was passed to generations and enjoyed great reputation in China. However, the work wasn’t globally welcomed until it was performed in New Year Symphony, Vienna in 1994. It is apparent that this masterpiece makes international music more brilliant and international music makes it remarkable. To sum up, traditionalized international music and internationalize traditional music are co-existent, so the evolution of former must be in conformity with the latter. Otherwise, we can not sustain them because both platform and content are indispensable. (267)